Who is Heinrich Göbel?
And why did he create a blank record housed in a sandpaper cover?
When Ursula Block’s seminal art catalog, Broken Music, came out, one interesting entry was this sandpaper record, attributed to “ANONYMUS”:
As the picture shows, the “record” itself is a square of sandpaper. Printed on the sandpaper is “Norton”, which refers to Norton Abrasives, a sandpaper company. Adalox, meanwhile, is the trade name for a type of sandpaper that Norton makes. P80 refers to the grit size of the sandpaper (this one is a medium grit.)
I reach out to Jan Van Toorn, who uploaded this anti-record to Discogs. He owns one of very few copies of this record. He explains to me that he purchased it at an art gallery-cum-bookstore in Cologne around 1990. Around then, he saw another copy at a different bookshop/gallery called Bucholz, but he hasn’t seen one since. When he tried to reach out to the original bookstore to find out who Göbel was, they didn’t have any information.
He shared the following images of his copy, which include the sandpaper-abraded surface of the blank LP, as well as an autograph:
He notes that, while the Broken Music catalog kept Göbel’s name “anonymus,” the catalog for Ursula Block’s 1988 exhibition with Christian Marclay, Extended Play, did list Göbel as the artist responsible — which matches the autograph.
So who was Göbel?
Was it a fake name, an appropriation of this famous German inventor who was falsely believed to have invented the incandescent lightbulb before Thomas Edison? Or perhaps named after this architect who authored an extensive history of European tapestry?
Both Heinrich and Göbel are common last names in Germany, which contributes to the information shortage.
Certainly, this wasn’t the only record, or anti-record, to experiment with sandpaper. Just two years prior, the Durutti Column released their famous album, The Return of Durutti Column, with an outward-facing sandpaper cover (designed to damage other LPs in your collection). Richard D. James used to put sandpaper on the decks during his DJ sets, and the conceptual artist Timm Ulrichs created variably-graded sandpaper records in 1968. But this one is among the most mysterious, since Göbel’s identity — and motivations — remain obscure.
Do you know more about Heinrich Göbel or this mysterious anti-record? Are you Henrich Göbel? If so, please leave a comment or contact me!
Thanks to Jan Van Toorn for contributing the three images of Göbel’s record, and for providing invaluable background information. Van Toorn runs ART RPM and Slowscan Records.