Various Artists – Anhedonia (2011, Fusty Cunt)

In the future I would like to do a proper profile of Fusty Cunt, a label that has put out countless unusual releases housed in unique packaging concepts. But today I wanted to showcase a particularly unique tape put out by the label.

Compilations are fascinating, especially noise comps. The taxonomic frenzy of artist names, typically a combination of established artists, obscure side projects, and perplexing one-offs, can lead to hours of Discogs scrolling, following byzantine networks of loose associations.

But I digress. The most fascinating of the comps are the themed compilations, and this Fusty Cunt nugget is no exception. Even more fascinating is the rare breed of compilations that come housed in actual diapers. I know of only one.

Source: Discogs

“Anhedonia” refers to the inability to experience pleasure. Clinically, it is a symptom of depression as well as several other psychiatric and neurological conditions. According to an excellent interview with Fusty Cunt proprietor Jim Haras for Pure Stench zine, Anhedonia was a compilation in which artists were asked to create brief (under two minute) tracks using the concept of “denial of self gratification.” Artists were hand-selected by Haras, “chosen because each has a unique sound and I knew each would generate a different spin on the concept (social denial, monetary denial, sexual denial, intellectual denial, political denial, bowel denial, etc.)”

Featured on the tape are mid-tier noise acts like Ahlzagailzehguh, Baculum, and Custodian, plus some rarer names. There is also Exploring Jezebel, one of the many pseudonyms of Dominick Fernow (Prurient, Hospital Productions) as well as Haras’ own act, Deterge. Track titles include some real treats, like “Dutifully Overdosing On Female Footsweat,” “Holding In Your Poopy,” and “Kegel Exercises: Flex And Release.” One artist even poses a pithy question: “Did You Ever Want Something So Much That You Would Do Anything To Have It, Only To Be Told It Could Never Be Yours?”

Even the short track duration was an attempt at stymying gratification — “just as you are about to fully get into a track, it’s over, leaving you wanting more.” The release came with a booklet of artwork, each contributing artist submitting a page. But the piece de resistance was the fact that each copy came in a bona fide diaper, with “ANHEDONIA” written on it in upper-case letters with a Sharpie.

Source: Discogs

To Fusty Cunt’s owner, the diaper was a middle finger to tape collectors, “an attack on everyone’s personal record/tape collection.” Inside the nappy was a tape shell spray-painted feces brown. He originally had planned to use brown tapes, for maximum effect, but could not source them. In the end, that was perhaps for the best: “This denied me the satisfaction of having it turn out exactly the way I intended.”

Do you know of other tapes that come packaged in diapers? If so, please leave a comment or let me know.

Runzelstirn & Gurgelstøck – Hirnstamm, Kotloch Und Scheisse mini-CDR (Scrotum Records, 2004)

“It took me a while to collect enough dog feces. But then again not forever.”

How to approach a music release that comes accompanied by 3 baggies of dog feces?

In 2004, the iconoclastic artist Rudolf Eb.er, who records under the name Runzelstirn & Gurgelstøck, put out a mini-CDR that was accompanied by three bags of “original shit by Eb.er’s dog.” It was called Hirnstamm, Kotloch Und Scheisse, which translates via Google to “Brain stem, fecal hole and shit.”

Rudolf is no stranger to edgy antics, having adorned previous records with artwork depicting graphic sexual acts and disfigured bodies. On one noteworthy occasion, he released an anti-record called Roto Tract which was just an industrial grinding wheel; playing it on your turntable would gradually destroy your stylus, cartridge, and tone-arm.

Rudolf himself has been involved in experimental art and music for years, having formed the radical Schimpfluch-Gruppe collective in Zurich in 1989, whose “confrontational, physically demanding performances and shock treatments remove the boundaries of the body and open up accesses to the collective unconscious.”*

Indeed, the Schimpfluch-Gruppe’s actions have pushed boundaries. One infamous Runzelstirn & Gurgelstøck performance, “For Stringquartet and Asstrumpet,” features a string quartet played next to Rudolf’s frequent collaborator, Kaori Yakushinji, who screams gruesomely as she inserts a tube into her rectum.** That one is collected on a 2000 CD called Asshole / Snail Dilemma (Tochnit Aleph), which came in a jewel case “with human hair protruding from underneath the CD tray.”

Curious about the strange Hirnstamm, Kotloch Und Scheisse, I emailed Rudolf to clarify the story behind the release, and he generously provided a bunch of background regarding the concept and his methods. He explained that he created the packaging while living in Osaka, Japan. He collected the feces while walking his dog, then finished off the packaging and sent it to Björn Liebmann, proprietor of the Leipzig-based record label, Scrotum Records, who added the discs themselves and put them up for sale.

“Every copy was made the similar way and all of them included 3 packed samples of dog feces,” he explained. “The feces were collected during walks with my dog Chi. The completed covers for the entire edition were sent to Björn in Leipzig, who added the disc. I don’t know if this was the first ever record release to incorporate real feces. I’m not aware of any other release with real feces. As a painter, actionist and audio artist it was a natural process to come to this packaging. It is another step from the previous packing I made.”

Though he had heard of the work of visual artist Andres Serrano, who shocked the art world by submerging a crucifix in a container of urine, he denies taking conceptual inspiration from this work. Instead, he says Hirnstamm‘s design was purely an aesthetic decision. “I do not understand this packaging as anything shocking or controversial (for healthy minded people – sick people may be shocked). It came from entirely aesthetic reasons. The contrasts of the brown-black-green-reddish colors and the form/structure versus the plain white paper and minimalist lettering.”

He recalls the great efforts that was required to put this release together, saying there were a total of 100 copies made. “It took me a while to collect enough dog feces. But then again not forever. My dog Chi was a Husky / Shepard mix, not a small dog and with a big appetite. My woman helped me packing the feces I collected into zip-locks.”

Thinking back, he is proud to have disseminated this unique release, copies of which live on to this day. “It was my idea and I am very happy to see several friends and collectors having this release still now displayed on their home walls,” he tells me. “I was told they sensed a slight scent in their rooms but weren’t bothered by it. The release was made 13 years ago and most copies I saw recently do still look pretty good. No scent left I’d say.”


*http://www.runzelstirn-gurgelstock.net/about.html

**https://www.tinymixtapes.com/features/rudolf-eber